Publications

Meddis, R., Delahaye, R., O'Mard, L., Summer, C., Fantini, D., Winter, I. & Pressnitzer, D. (2002). A model of signal processing in the cochlear nucleus: Comodulation masking release. Acta Acustica united with Acustica, 88(3), 387-398

Neuert, V., Pressnitzer, D., Patterson, R. & Winter, I. (2001). The responses of single units in the inferior colliculus of the guinea pig to damped and ramped sinusoids. Hearing Research, 159, 36-52. doi:10.1016/S0378-5955(01)00318-5

Pressnitzer, D., Patterson, R. & Krumbholz, K. (2001). The lower limit of melodic pitch. Journal of the Acoustical Society of America, 109. doi:10.1121/1.1359797

Pressnitzer, D., Patterson, R. & Krumbholz, K. (2001). The lower limit of melodic pitch. Journal of the Acoustical Society of America, 109, 2074-2084. doi:10.1121/1.1359797

Pressnitzer, D., Meddis, R., Delahaye, R. & Winter, I. (2001). Physiological correlates of comodulation masking release in the mammalian ventral cochlear nucleus. Journal of Neuroscience, 21(16), 6377-6386

Pressnitzer, D., Meddis, R., Delahaye, R. & Winter, I. (2001). Physiological correlates of comodulation masking release in the mammalian ventral cochlear nucleus.

Krumbholz, K., Patterson, R. & Pressnitzer, D. (2000). The lower limit of pitch as determined by rate discrimination. Journal of the Acoustical Society of America, 108, 1170-1180. doi:10.1121/1.1287843

Pressnitzer, D., Mcadams, S., Winsberg, S. & Fineberg, J. (2000). Perception of musical tension for nontonal orchestral timbres and its relation to psychoacoustic roughness. . doi:10.3758/bf03212061

Pressnitzer, D., Winter, I. & Patterson, R. (2000). The responses of single units in the ventral cochlear nucleus of the guinea pig to damped and ramped sinusoids. Hearing Research, 149, 155-166. doi:10.1016/S0378-5955(00)00175-1

Pressnitzer, D., Mcadams, S., Winsberg, S. & Fineberg, J. (2000). Perception of musical tension for nontonal orchestral timbres and its relation to psychoacoustic roughness. Perception and Psychophysics, 62(1), 66-80

Pressnitzer, D. & Mcadams, S. (2000). Acoustics, psychoacoustics and spectral music. Contemporary Music Review, 19(2), 33-59. doi:10.1080/07494460000640251

Pressnitzer, D. & Mcadams, S. (1999). Two phase effects in roughness perception. Journal of the Acoustical Society of America, 105(5), 2773-2782. doi:10.1121/1.426894

Berthommier, F. & Lorenzi, C. (2021). Implications of Physiological Mechanisms of Amplitude Modulation Processing for Modeling Complex Sounds Analysis and Separation. (pp. 12). doi:10.1201/9781003064183

Pressnitzer, D., Agus, T., Kang, H. , Graves, J. & Andrillon, T. (2021). Apprentissage de motifs sonores. In S. Samson, B. Tillmann, C. Jourdan, V. Brun (Eds.), Audition et Cognition Montpellier: Sauramps Medical

Shamma, S. (2020). Temporal Coherence Principle in Scene Analysis. The Senses: A Comprehensive Reference (Second Edition) (Vol. 2, pp. 777-790).Elsevier. doi:10.1016/B978-0-12-809324-5.24252-1

Wong, D., Di Liberto, G. & de Cheveigné, A. (2019). Accurate Modeling of Brain Responses to Speech. bioRxiv. doi:10.1101/509307