Toward a data driven approach to uncover the acoustical correlates of musical instruments timbre perception
Although extensively studied since years through dissimilarity ratings experiments, the acoustical correlates of musical instruments timbre perception remain not fully understood and somewhat controversial. Whereas it’s now commonly accepted that spectral and temporal envelops correlate well with the two first dimensions of so-called perceptual timbre spaces, critical questions remain: is it relevant to look for global audio descriptors correlating with the higher order dimensions of timbre spaces? can human dissimilarity ratings be computed directly from acoustic representations?